Vertaling en analyse van woorden door kunstmatige intelligentie ChatGPT
Op deze pagina kunt u een gedetailleerde analyse krijgen van een woord of zin, geproduceerd met behulp van de beste kunstmatige intelligentietechnologie tot nu toe:
- hoe het woord wordt gebruikt
- gebruiksfrequentie
- het wordt vaker gebruikt in mondelinge of schriftelijke toespraken
- opties voor woordvertaling
- Gebruiksvoorbeelden (meerdere zinnen met vertaling)
- etymologie
L-headed jetty - vertaling naar russisch
строительное дело
Г-образный причал
![A floating dock at [[Florence Marina State Park]]](https://commons.wikimedia.org/wiki/Special:FilePath/16 07 231 florence marina.jpg?width=200 "A floating dock at [[Florence Marina State Park]]")
![A floating dock at a private [[marina]]. The vertical "spud" only anchors the dock sections in place, and does not provide structural support for loads upon the dock.](https://commons.wikimedia.org/wiki/Special:FilePath/Floating dock at North Haven.jpg?width=200 "A floating dock at a private [[marina]]. The vertical \"spud\" only anchors the dock sections in place, and does not provide structural support for loads upon the dock.")
![A pontoon in [[Sydney]]](https://commons.wikimedia.org/wiki/Special:FilePath/PontoonHuntleysPoint.jpg?width=200 "A pontoon in [[Sydney]]")
Wikipedia
Spiral Jetty is an earthwork sculpture constructed in April 1970 that is considered to be the most important work of American sculptor Robert Smithson. Smithson documented the construction of the sculpture in a 32-minute color film also titled Spiral Jetty. Built on the northeastern shore of the Great Salt Lake near Rozel Point in Utah entirely of mud, salt crystals, and basalt rocks, Spiral Jetty forms a 1,500-foot-long (460 m), 15-foot-wide (4.6 m) counterclockwise coil jutting from the shore of the lake.
In 1999, the artwork was donated to the Dia Art Foundation and is one of 11 locations and sites they manage. Since its initial construction, those interested in its fate have dealt with questions of proposed changes in land use in the area surrounding the sculpture. In order to preserve the work, Dia Art Foundation asks that visitors do not take existing rocks from the artwork, make fire pits, or trample vegetation. There are no facilities at the site so visitors must carry out any waste with them.
